Posts Tagged 'MODERNITY'

kennington reflection.

mirror-image, drive-past, council-flats, montage, photography, modern-archeaology, the-modernist-image, modernity, on-the-road, dialectical-image. lee friedlander, hillcrest, new york, 1970 https://www.nga.gov/collection/art-object-page.118646.html

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kennington reflection.

mirror-image, drive-past, council-flats, montage, photography, modern-archeaology, the-modernist-image, modernity, on-the-road, dialectical-image. lee friedlander, hillcrest, new york, 1970 https://www.nga.gov/collection/art-object-page.118646.html

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montage.city: constructive montage and the image of the city

montage.city : constructive montage and the image of the city constructive montage my phd by project attempts to place an interdisciplinary practice that involves art, architecture and photography into a philosophical frame, but one firmly rooted in praxis; and [pre]historically

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montage.city: constructive montage and the image of the city

montage.city : constructive montage and the image of the city constructive montage my phd by project attempts to place an interdisciplinary practice that involves art, architecture and photography into a philosophical frame, but one firmly rooted in praxis; and [pre]historically

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merry men – newlyn’s dancing stones

newlyndancingstones view pdf conceived as a provocation, the merry men – newlyn’s dancing stones, is not a intended as a replica, but a translation of the merry maiden stone circle or ‘dans maen’, situated to newlyn’s west just above lamorna cove. each one

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merry men – newlyn’s dancing stones

newlyndancingstones view pdf conceived as a provocation, the merry men – newlyn’s dancing stones, is not a intended as a replica, but a translation of the merry maiden stone circle or ‘dans maen’, situated to newlyn’s west just above lamorna cove. each one

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the materiality of stones

   the early modernist concern to ‘let the material speak’ can be traced back to prehistory.  the materiality of the stones selected for use in prehistory’s ceremonial assemblages is one of great importance, where certain stones are carefully chosen for there surface texture, visual tactility,

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the materiality of stones

   the early modernist concern to ‘let the material speak’ can be traced back to prehistory.  the materiality of the stones selected for use in prehistory’s ceremonial assemblages is one of great importance, where certain stones are carefully chosen for there surface texture, visual tactility,

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montage-modernity-and the wild west

montage with its spatial origins in dublin (joyce), paris (surrealism), berlin (dada, brecht, hartmann)) and moscow (eisenstein vertov), the increasingly fragmented world gives rise to the the technique of fragment. benjamin sees the passagenwork as a lexicon of capitalist modernity, its

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montage-modernity-and the wild west

montage with its spatial origins in dublin (joyce), paris (surrealism), berlin (dada, brecht, hartmann)) and moscow (eisenstein vertov), the increasingly fragmented world gives rise to the the technique of fragment. benjamin sees the passagenwork as a lexicon of capitalist modernity, its

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